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Toronto
Sun Interview with Ryan Gosling
TORONTO -- Canadian kid Ryan Gosling has made a big jump onscreen
from Mouseketeer to skinhead Nazi. It's an especially oblique turn
considering that kids with Mouse credentials are more likely to
become cheesy popstars.
And
it's all the more dramatic, given that he plays a conflicted Jew-turned-Nazi
whose hate gives way to perverse happiness as he plans the bombing
of a synagogue. This in the same week that real-life terrorists
went to their deaths smiling at their own martyrdom and date with
Heaven.
The
film is The Believer, based on the true story of a Hebrew school
student expelled for his rebellious rabbinical arguments, whose
bitterness leads him to become a white supremacist. It's been shrouded
in controversy since its debut at the Sundance Film Festival (its
Toronto Festival debut was this week), with the Wiesenthal Centre
excoriating the film and its writer/director Henry Bean (Internal
Affairs).
Gosling
-- a veteran Canadian child actor from Goosebumps and Road To Avonlea,
The Mickey Mouse Club and the New Zealand-filmed series Young Hercules
-- was raised in Cornwall in a Mormon family.
"Mormonism
is similar to Judaism in a lot of ways," says Gosling, "in
terms of commitment and faith. Where Henry and I connected was my
determination that I would never make a movie that slandered another
faith. The film to me was less about a specific religion than about
faith itself. Somebody read the script and told Henry, 'This is
really good. I want to make a Catholic version.' "
Danny
Balint (Gosling) is a thug who randomly beats up Hebrew students
on subway cars and who falls in with a Nazi cell headed by Curtis
Zampf (Billy Zane) and Lina Moebius (Theresa Russell). He also falls
for Moebius' masochistic daughter Carla (Summer Phoenix), who begins
to decipher Danny's obsession with things Jewish and begins her
own fascinated outsider's course in Hebrew. Meanwhile, Danny encounters
some of his old Hebrew school friends, who obliviously begin inviting
him back to the synagogue.
"A
lot of people were saying the movie was about self-loathing,"
Gosling says. "But when I read it, it was clear to me that
this kid had so much faith he was choking on it.
"I
mean, the disturbing thing for people to absorb is that Danny wants
to be a Jew and he wants to be a Nazi. He's got a girlfriend who's
a Nazi that he's teaching Hebrew to, who wants to read Torah, who
makes him Yom Kippur dinner and comes to shul (school). And he's
davening (praying) at a Yom Kippur service at the same place he's
placed a bomb. He really is a Jewish Nazi and he's happy being that.
And I always think of the point in the film where he asks, 'Do you
think people ever commit suicide out of happiness?' "
Challenging,
morally-ambiguous roles might not seem to be in the cards for a
guy who spent two years in a toga in Young Hercules. And he admits
that's been an obstacle.
"Understandably
so. If someone came to me to read (for a part) and the last thing
he did was Young Hercules, I'd have reservations about it. It took
a good year-and-a-half of trying to be very focused and reading
for people and showing them that that was then and this was now.
I had to practically beg for The Believer."
Though
he has one fairly big-budget credit in Remember The Titans, his
plans mostly involve low-budget independent films, including the
upcoming The Slaughter Rule, about six-man football, co-starring
Kelly Lynch and Clea Duvall.
He's
also collaborated with one of his childhood friends, now an L.A.
film student, on a script about their boyhood in Cornwall. "Of
12 males in my family, I'm the only one that didn't go on to work
at the Domtar paper mill," he says.
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JIM SLOTEK
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